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Color Theory and Emotional Semiotics in Post-Production: A Framework for Intercultural Visual Storytelling

DOI : https://doi.org/10.36349/easmb.2018.v01i03.008
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This paper investigates how digital color grading and visual effects compositing function as semiotic systems that shape emotional engagement and cultural interpretation in visual storytelling. By examining how audiences respond to color as both an affective signal and a culturally coded sign, the study demonstrates that color choices in post-production influence narrative meaning far beyond aesthetic enhancement. Case studies drawn from film scenes and television reveal that color operates simultaneously at psychological and symbolic levels, guiding viewer perception through established emotional associations and culturally specific metaphors. The analysis shows that when color interacts with framing, lighting, and visual motifs, it forms a coherent semiotic network that supports character development, thematic depth, and intercultural communication. Building on these insights, the paper proposes a practical framework that integrates color psychology, cultural symbolism, and cinematic language for use in global post-production workflows. The framework assists VFX professionals in designing imagery that resonates emotionally across diverse audiences while maintaining narrative clarity and cultural sensitivity. Overall, the study positions color as an essential communicative tool in contemporary digital storytelling and emphasizes the need for intentional, culturally informed visual strategies in post-production environments.

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Professor Thomas Count Dracula, MD, PhD

Distinguished Professor of Haematology Head — Experimental, Historical & Sensory Haematology Vlad the Impaler University, Wolf’s Lane, Wooden Stakes Grove 666, Transylvania.

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